Until recently my work has taken the form of large-scale architectural installation, concentrated on the psycho-geography of the domestic interior and its double, the city. The paradoxical relationship between ‘interior’ and ‘exterior,’ as seeming opposites absorbed in ceaseless mimicry of one another, underpins much of my thinking about space. My work always begins with improbable premises and precarious material conditions that make finding the forms my thoughts might inhabit a trial at times. It is through generating such frisson and friction between thoughts and objects I am able to find the information needed to make the embellished claims instantiating these works stand up. The materials comprising these installations were broken down and repurposed from one exhibition to the next, slowly dematerializing over time, as I gradually divested myself of these burdens to shift focus elsewhere. Lately my material practice takes the shape of a small archive I tend; as creative, critical writing has become the focal point of my hyperbole-laden form of questioning.